Category: Ritual

  • Review | Tarot by the Moon | Victoria Constantino

    Review | Tarot by the Moon | Victoria Constantino

    Tarot by the Moon by Victoria Constantino

    The latest book to drop with a satisfying thud onto the doormat here at Tarot Thrones Towers is Tarot by The Moon by Victoria Constantino (Llewellyn). I’m always on the search for new books to deepen my Tarot knowledge or widen my spiritual horizons, so I was eager to see what this book had to offer.

    Let’s start with the book’s vital statistics, shall we? Tarot by the Moon is a good-sized paperback, running to 240 pages (including the index); about the same dimensions as Mary K Greer’s 21 Ways To Read A Tarot Card. The cover artwork (see image above) by Kevin R Brown is very attractive with phases of the moon on a soft matt black background flanking a glossy Moon tarot card; it’s very tactile! Inside the book we have lots of spread illustrations and graphics in black and white.

    The author, Victoria Constantino, is a new name to me (but hey ho, I’m not exactly Ms Tarot filofax, so don’t read too much into that lol!) but she has a background in publishing and a slew of publications that includes poetry and fiction as well as a Master’s degree in Writing. Although her website biog confirms that she’s a longterm tarot practitioner, Tarot by the Moon is her first tarot book.

    So – it’s time to dive in!

    The book is laid out in chapters that are named after the months of the year along with the best-known full moon name for that month. For example, Chapter 1 is ‘January: The Wolf Moon‘ and carries on in that vein through to December (The Cold Moon) and then includes a chapter for The Blue Moon and then zooms off into some useful Appendices.

    But let’s just back up a little and focus on the Introduction which runs to 20 pages. In this section Victoria gives us a Tarot Ready Reckoner section for those who are perhaps new to card reading – how to use the book, a comprehensive outline on how to interpret the tarot that includes four pages on common tarot symbols (which is actually not bad for content at all!) and numerological correspondences before looking at days of the week and their planetary associations … and rounds off with the energetic qualities of the various moon phases (eg the dark moon being a good time for journey work, past life regression and so on). The introduction closes with an explanation of the more unusual moons – mini moon, super moon, blood moon etc.

    There is a lot of content in that Introduction, so don’t skim over it!

    Since it is almost November, I thought I’d focus on that month to see what the book could offer me. The full moon for the month is called The Beaver Moon and the chapter begins by linking the productivity of beavers (who are busy getting their dams in order at this time of year) to creating stability (important in a beaver dam!), getting your foundations right, clearing blocks etc.

    And this is how the chapters function throughout the book; Constantino paints a broad summary of the energies of that month’s particular moon, based on the Algonquin full moon name, and then crams the chapter with spreads and spells to help work with that energy. Of course, you don’t need to restrict ‘creating stability’ to the month of November – you are encouraged to dive in to any topic at any time, depending upon your own need and interests. I think that using the full moon names is an inventive way to group spells and spreads together.

    So, back to November. There are six tarot spreads, most involving 10 cards that allow you to explore productivity, stability, foundations, security, clearing blocks and a work and career spread to round things off. The chapter then delves into spells and rituals – summoning a perfect career opportunity, creating solid financial foundations and paving the way for success.

    Victoria gives recommended days and moon phases for the spells and rituals. They involve quite a lot of stuff – crystals, coloured candles, herbs and spices, coloured inks etc – so this isn’t really about just grabbing gear from your kitchen drawers and getting on with it. It’s about preparing, which is a vital part of RITUAL after all!

    Throughout the book there are side bar tips. For November it’s thinking about animal symbolism in tarot and automatic writing – which is fun, if you haven’t tried it yet! There are a lot of interesting snippets to explore – cleansing and charging crystals, what repeat cards might mean, the wisdom of flowers … just to name a handful.

    It was time to try out one of the spreads from November and since it’s Nanowrimo month … the productivity spread seemed like the obvious place to start. I’ll be writing up the actual reading in a couple of days time. In summary – I found the spread useful.

    Now I want to scoot ahead into the Appendices. Appendix A covers Meditations, B concerns amplifying your intentions (a full moon ritual), Appendix C takes a brief look at incorporating Feng Shui Ba Guas. And then we have a few pages for you to make your own Notes at the back.

    A quick look at a spread and a tip from the selection provided for June.

    So, what do I think of it now that I’ve shown you around?

    First of all, I have not read every chapter prior to this review. I read the introduction, dipped into the other chapters and then worked through the chapter that I would be using for the coming month, by way of deeper example.

    It’s a book that dips into different belief systems – Native American, Wiccan, pagan systems and even forays into feng shui – which is a massive cultural arc but which works because the author does not focus too deeply on any one system – for example, the feng shui Appendix is about 200 words and a brief table. This is enough to whet your appetite if you want to explore further, but not too much that it bogs you down in detail. As Victoria says: “It is written from the belief that we are all one, that there is truth to be found everywhere – in every culture and belief system – and that we all share more similarities than differences.”

    I really like how the various full moon names have been the focus of the chapter contents. I think this is inventive and there is a lot of bang for your buck as far as spreads and spells are concerned (the book contains 66 spreads and 45 spells/rituals). However, if you buy it thinking that everything in the book is directly linked to something lunar, then you will be disappointed. It’s as it states on the cover: Spreads and Spells for Every Month of the Year.

    Who would enjoy Tarot by the Moon? Victoria says on her website that the book is: ‘the ultimate guide for seekers of wisdom, for those on the healing journey, and for anyone who wishes to become empowered in manifesting the life of their dreams’. For me, I think it’s fun for anyone who loves exploring new tarot spreads or who loves rituals to help them take action (and who also has a lot of crystals and that kind of thing around the house – which is not me lol!). It will be a useful resource if you want to work on specific areas of your life on an organised monthly basis, and I can see it being a neat first tarot book for someone who mostly does rituals – a nice way for them to expand into our crazy tarot world.

    You can find out more about Victoria on her WEBSITE.

    Book published on 2 November 2021 in UK, but e-book already available. Available from all good retailers – buy locally if you can!

  • Creating your own Full Moon names

    Creating your own Full Moon names

    It’s always nice to add a bit of full moon work to your Tarot rituals (or Tarot work to your full moon rituals!) or even just celebrate a new moon phase with a nice image on instagram. Yonks ago, I found a common set of full moon names in the Farmers’ Almanac and pretty much stuck with them until a couple of years ago when it really began to feel uncomfortable for me.

    blue moon
    Learning Gaelic and posting on instagram!

    The reason for my discomfort was that the names I was using were the full moon names used by the Algonquin who are native peoples of Canada.

    Now, *holds hands up peaceably* I’ve not really been a big believer in cultural appropriation – honestly you can hail from anywhere in the world and your husband can wear my national dress to a wedding and I will be thrilled to see him do so, not insulted. I do not get my (French?) knickers in a twist when a burlesque stripper does a routine dressed as a French Maid and who is not actually French. And hey, I’m Scottish so my national symbols are things like – kilts, heather, Robert Burns, haggis, shortbread, Irn Bru, deep-fried Mars Bars, tartan and bagpipes. Truly, it’s my opinion that the more we share cultural reference points, the harder it will be for horrible people to neatly divide us up and persecute one group over another. Cultural reference points are learning and teaching opportunities too, so really, I’m pretty happy when I see my national symbols being used (in a good way!) all over the world (Hello Burns Societies!). Your experiences may lead you to believe entirely the opposite is true. That’s also cool. Like I said, this is just my opinion. Mostly. Until it wasn’t.

    In taking the Algonquin tribal names and applying them to my own moon work, jeez, that just didn’t feel right AT ALL. I asked myself, why am I using the Full Moon Names of a people that I have absolutely no interaction or link with? Is it because they have been used for a long time by these folks? But what is authentic for them or my American cousins, is not for me. Their lived experience is not mine. I live on a tiny island off the west coast of Scotland; it does not feel authentic for me to co-opt their culture and history into my practices. What common point has a Sturgeon Moon for me? Well, that’s maybe a bad choice, seeing as how our First Minister is called Sturgeon, but you get what I’m driving at!

    A Sturgeon. Not Nicola.

    This led me down the rabbit hole of exploring other cultures’ names for the Full Moons – and they are indeed very beautiful and lovely, but they are still not mine. There are, of course, Celtic names for Full Moons, but I think they are Druid Revivalist names (ie not that ancient). But I haven’t researched them extensively, so am prepared to be corrected. Feel free to shout out.

    Eventually I decided to come up with my own Full Moon names so that they are authentic to me because they reflect the natural world around me, just as the Algonquin names reflect the seasonal markers in the natural world around them.

    It took more than a year for me to come up with the names because I wanted something that marked the month, exclusively for that month, preferably from the natural world – and I am notoriously fickle when it comes to journalling, so some months were a bit of a blank lol!

    For example, where I live, the trees around me begin to shed their seeds in August (2019, 2020 and 2021 at any rate) so the August Full Moon is for me ‘Tree Seed Moon‘. Thus my Full Moon names really do act as a kind of calendar for me – just as they probably did to the original users because they are based on my own experience of my own environment. However, if you live farther south than me or in a different hemisphere, your Tree Seed Moon might not be August – it’s not one size fits all. Likewise, if you live on the coast, your natural reference points may be vastly different to someone who lives inland.

    I painted some of the tree seed that falls into the garden.

    Create your own Full Moon Names

    Have you considered creating your own Full Moon Names? If not, and you fancy creating your own personalised Full Moon Calendar, why not start right now?

    The key question that I asked myself was: ‘what is absolutely beginning this month or happening only during this month‘.

    Keep them private to you, as part of your magical workings or even just as part of your nature journalling calendar.

    If you use the Wheel of the Year, you could give yourself a head start and call eight of the moons by the Festival held that month – February’s full moon would be the Imbolc Moon, June’s the Litha Moon or Summer Solstice Moon etc. But if you DON’T use the Wheel of the Year (because hey, that might not feel authentic for you, in your part of the world!) pick another method of naming them; this is all about creating something that is useable by YOU, meaningful to YOU. Not something that you are going to have to google every time you need to refer to it.

    And if you don’t want to rely on the natural world for your Full Moon Names, and the Arts (for example) are important to your inner world, use them. I could absolutely call August’s Full Moon ‘Festival Moon’ because the Edinburgh Festival (and our own island Crime Writing Festival) does indeed take place every August.

    Despite it no longer meaning what it used to mean, I still use Blue Moon if there are two full moons within a month. I call that second full moon a Blue Moon. Why? Because I like the name and because it has to be a name that can slot in at any part of the year. Blue will do just fine.

    If you use astrology, you can work out what House the Moon is in when it is full. For example, in the UK this year, the September Full Moon falls on 21 September 12.54am, the day before the Autumn Equinox so it’s going to be pretty potent for work! ** Note: I originally wrote this post in early September 2021, but didn’t post until November 2021 **